That Floating Excrement Was Way Too Symbolic! It's the TV Disappointments of the Past Year.

Looking back, we reflect on the television landscape of the past year, a handful of shows emerge not for their brilliance, but for their spectacular shortcomings. From cringe-inducing sequels to confusingly poor documentaries, here are the productions that had us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive follow-up? Plagued with woeful scripts, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to find its footing. For a moment, as the final season began, it looked like it had at last found its groove. Then arrived an installment all about Seema’s natural deodorant. No wonder the showrunner declared this would be the last season. It ended on a bum note; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Still, fans certainly found joy dissecting every single “what on earth?” episode. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t release a small sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was practically the least of this show's problems. The recipient of a exceedingly uncommon no-star review, it was difficult to know where to begin listing the flaws. The laughably leaden writing? The mind-numbing veneration of affluence and consumption? The seemingly wilful parade of cliches? Acting so poor they felt borderline malicious? Suffice it to say “all of the above” and forget about this series again. Except, a new season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, abuse allegations and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d truly have known it from this multi-part documentary which smirked its way at Sheen’s various episodes of self-destructive excess while failing to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being indulged, so any sympathy this series might induce should be saved for the people who have had to endure close contact with this charismatic but flippant narcissist.

The Iris Affair

Of course we understood it was ridiculous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ultimately slicing Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

The Gangster Drama

Dodgy characters convening in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a little old-fashioned now, but at least they didn’t endure the ignominy of having to accommodate unconvincing dialects. But there were plenty of other problems. Primarily that it was just profoundly dull; a conflict over narcotics territory between various London rogues which felt a bit basic.

The Meghan Markle Series

Given the extent to which she grinds the gears of certain ostentatiously enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s televised ventures into twee lifestyle as intentional provocations. But then you watch them and are forced to concede that in this case, they may have a point. It’s like watching a homeware catalogue animated; a poster for wine o’clock with delusions of grandeur; a procession of snoozing dogs, humming beehives, sentimental platitudes and pointless crafting “tips” you’ll forget instantly. All supported by vast, largely unearned wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be discussed about regarding Victoria Beckham and her journey with vocation, identity, self-acceptance. But for whatever reason, this three-part series opted not to explore them. Instead, the experience was like consuming a marketing brochure. She obviously has good reason to bridle at what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this guarded letdown of a series.

The Inheritance

It should have been the next big hit – except even more extravagant, with a glamorous star playing dead and a sharp-tongued personality overseeing her estate. What more could you ask for? As players competed, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s even now too complicated to detail what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a production that was straining desperately to live up to something far greater than it.

The Lena Dunham Romcom

How does one follow a show that captured a generation? The expectation was immense for this glitzy romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The star seized the opportunity by the horns and was a delight to watch, reveling in Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was not enough. Plus, the sheer amount of famous friends involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the shrewd inclusion of talented emerging comics, hopes were high. But unhappily, most of it didn’t land. A recurring sketch was a single joke stretched to a dry pulp but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply provoked the thought that they should probably have stayed in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be handled with care. Rather, the series laboured awkwardly to find the right voice, lumbering from oddly jaunty, somewhat mannered farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Very much so.

The Maths Genius Thriller

We admire the lead actor … but did we buy him playing the greatest maths genius in history, a man so smart he’s on the verge of a discovery that could destabilise society? Nope! This globe-trotting thriller about secret services spying on – and eliminating – intellectuals frankly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality renowned for sexual exploits as she undertook her biggest feat yet. What on earth would motivate her? What we craved was far greater examination of her true psyche, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to drag her son away from the queue. What we got was disturbing shots and absolutely no interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

Victoria James
Victoria James

A seasoned traveler and writer passionate about uncovering hidden gems and sharing cultural narratives from diverse destinations.